A Constructed World













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Fabien Vallos, ‘Commentaries of the idea of protocole /Commentaries sur l’idée de protocole’, in l’Art meme, no 77, Brussels, BE

‘My Favourite Things: Ilaria Bonacossa director of Artissima’, Billionaire, Visionaries Issue, Art & Craftmanship, 18 April, https://www.bllnr.com/art-craftsmanship/favourite-things



Fabien Vallos, ‘Moules : tout à fait pop’, (unpublished paper) https://devenir dimanche.files.wordpress.com/ 2018/06/moules-mb.pdf



Fabien Vallos, ‘Assemblée des culs’, in faire #2, October, éditions Mix, Paris, FR

Gilles Renault et Judicael Lavrador, ‘Une Nuit ensemble, ce week-end à Paris’, in Liberation, 6 October, Paris, FR, https://www.liberation.fr/france/2017/10/06/une-nuit-ensemble-ce-week-end-a-paris_1601408

Judicael Lavrador, ‘Des lieux emblématiques du brassage social’, in Libération, 6 October, Paris, FR https://www.liberation.fr/france/2017/10/06/nuit-blanche-2017-des-lieux-emblematiques-du-brassage-social_1601406

Jean-Michel Quirion, ‘The House of Dust à la Fonderie Darling: Traductions et Interprétations d’Un Poèm-Partitins’ in Ex-situ, https://revueexsitu.com/2017/07/12/the-house-of-dust-dalison-knowles-a-la-fonderie-darling-traductions-et-interpretations-dun-poeme-partitions/

'Russian doll curation of Redlands art prize uncovers next generation', Arts & Entertainment, Financial Review, 20 March, http://www.afr.com/lifestyle/arts-and-entertainment/art/russian-doll-curation-of-redlands-art-prize-uncovers-next-generation-20170316-guzhzv#ixzz4g0eNZhXG


2016 Angélique Buisson, 'Like-I-Talk-To-You-Right-Now', Axelle Bonnard, 'Toute la vérité, rien que la vérité (et autres histoires)', Eleanor Ivory Weber, 'ACW: What Happened in the Performance Yesterday (for you)? What occurred?' in Peeping Tom's Digest #4: Paris (Le Grand and beyond) published by Peeping Tom, Les Lilas, France


2015 Barbara Casavecchia, 'Postcard from Genova', Frieze online, 10 mars, http://blog.frieze.com/postcard-from-genoa/ Maura Ghiselli, 'Prendi il Moerno e rendilo Contemporaneo', Artribune online, venerdi, 30 gennaio


Roger Ouk, 'A Contract For Critical Thought', ArtAsiaPacific, issue 88, May-June, HK



Zoe Li, 'Interview: A Constructed World on An Artwork You Can't Talk About', Blouin Artinfo, Nov 4, HK

Ysabelle Cheung, 'Interview A Constructed World', Timeout, Oct 23 - Nov 5, issue 142, HK

Edmund Lee, 'When the art work is the contract', 48 Hours, SCMP, 31 October, HK

Michael Ascroft, 'A Constructed World', Frieze No 154, April 2013, London, UK



Sébastien Pluot, 'Otherwise', in Based on a true story, published by Ian Potter Museum of Art, University of Melbourne, AUS (catalogue)



Chris Sharp, ‘Deconstructing A Constructed World’, Art & Australia, Vol 48, No 4, Winter, Sydney, AUS

Elias Arnér and Per Huttner, ‘(In)Visible Dialogues’, published by Dent de Leone, London, UK (catalogue)



Joseph del Pesco, ‘All The Bankers At Altamont’, an interview with A Constructed World in Byproduct, edited by Marisa Jahn, published by YYZBooks, CA

Etienne Bernard, ‘Double Bind, Found in translation‘, 02, No 54, Summer,Nantes, FR

Claire Moulène, ‘Quête de sens‘, les inrockutibles, No 743, 24 February – 2 March, Paris, FR

Charlotte Laubard, Sébastien Pluto, Lili Reynaud Dewar, et al, ‘A Constructed World, Saisons Increase’, published by CAPC Museum of Contemporary Art, Bordeaux, FR (catalogue)



Judicaël Lavrador, ‘From Walden to Vegas‘, les inrockuptibles, No 719, 8-14 September, Paris, FR

Etienne Bernard, ‘Like a chicken in front of a knife? Maybe, but never lost in translation!, 02, No 52, Nantes, FR

Justin Clemens, ‘Myth, Abjection, Otherness: Contemporary Australian Art’, Meanjin quarterly, Vol 68 No 3, Melbourne, AUS

Natalie King, ‘A Constructed World’, Flash Art, No 266 May-June, Milan, IT

Tai Snaith, ‘A Constructed World’, Art and Australia, Vol 46 No 4 Winter, NSW, AUS

Natalie King, ‘A Constructed World Second Last Second Chance’, ArtAsiaPacific, issue 63 May-June, NY, USA

Natalie King, ‘Critic’s Choice, A Constructed World’, Australian Art Collector, #48 April-June, NSW, AUS

Stuart Koop, ‘A Constructed World’ in Crackle. Contemporary art from the middle of nowhere, published by Institute of Modern Art, Brisbane, AUS

A12 & Camilla Pignati, ‘Food, A hysterical play about food’, #921, January, Domus, Milan, IT