Last DB update: 16/04/24
Title | Description | Category | Size / Content | Year |
---|---|---|---|---|
Objects 02 | Synthetic polymer paint, blue screen video paint, and heat transfer prints on canvas | Painting | 2 panels @ 120 x 120cm | 2022 |
Reverse Devil | Synthetic polymer paint, video paint, copper paint and heat transfer paper on linen | Painting | 122 x 90cm | 2021 |
Morse code painting | Synthetic polymer paint on canvas | Painting | 33 x 24cm & 30 x 24cm | 2021 |
Maquette for Ass Assembly Carriageworks | Synthetic polymer paint, video paint, heat transfer prints on canvas | Painting | 126 x 140cm | 2021 |
Partition #19 Using feelings to get rid of feelings VII (Mostro Anchorage) | Synthetic polymer paint, video paint, copper paint and heat transfer paper on linen | Painting | 100 x 150cm | 2020 |
Joyous piss and shit | (Object, Sculpture) Synthetic modelling clay, copper paint, silicone, plastic, metal and synthetic polymer paint | Painting | 26 x 28cm | 2020 |
Favorino/Favorinus | Synthetic polymer paint and video paint on linen, Solargil, Styrofoam, tin can, paper maché and metal | Painting | 2 pieces @ 222 x 140 x 26cm | 2019 |
Partition #15 Using feelings to get ride of feelings Part II (Marsèlleria painting) | Synthetic polymer paint, blue screen video paint, inkjet prints on paper and heat transfer prints on canvas | Painting | 210 x 272cm | 2018 |
Partition #10 The Middle Class and the Anthropocene | Synthetic polymer paint, video paint, copper marker pen and heat transfer inkjet prints on canvas (2 paintings) | Painting | 210 x 255cm (each) | 2015 |
This monkey’s gone to heaven | Synthetic polymer, video paint, heat transfer prints on canvas (2 paintings) | Painting | 82 x 171cm (each) | 2013 |
Nature Dance | Synthetic polymer paint, blue screen video paint and heat transfer prints on canvas | Painting | 210 x 355cm | 2013 |
creative-yuk-05-(it-s-over).pdf | email newsletter 05 | History | 2156 KB | 2022 |
creative-yuk-04.pdf | email newsletter 04 | History | 5532 KB | 2020 |
creative-yuk-03.pdf | email newsletter 03 | History | 1097 KB | 2020 |
creative-yuk-02 | email newsletter 02 | History | 1270 KB | 2019 |
creative-yuk-01.pdf | email newsletter 01 | History | 172 KB | 2018 |
◻︎⇢ http://www.instagram.com/aconstructedworld | @aconstructedworld @acwprojects | History | Extant | |
◻︎⇢ https://issuu.com/acwprojects | ACW publications available on issuu.com | History | Extant | |
◻︎⇢ Leave a message: Explaining contemporary art to live eels | Internet radio interview with Anabelle Lacroix | History | 2020 | |
◻︎⇢ http://acw-videography.blogspot.com | A Constructed World videography 1995 - 2011 | History | 2011 | |
◻︎⇢ erreur mensonge méprise tromperie #3 / errors deceits mistakes #3 | erreur mensonge méprise is a a constructed world publication produced in collaboration with the cneai, chatou | History | 2008 | |
◻︎⇢ http://mfit.blogspot.com/ | More Fools In Town is a collaborative project of a constructed world and Charlotte Laubard. More Fools In Town presents exhibitions and events in an apartment in the center of Turin in a responsive and impulsive way that seeks a wider audience. It is a lo-fi, lo-hi energy interface with big aims. | History | 2004 | |
Salon Jackie #07 | Screenprint on paper | Editions, Multiples | 65 x 50 cm each | 2023 |
Blu Elixir | Tisane bleu, antioxydante et apaisante. | Editions, Multiples | 40g | 2023 |
Reverse Devil-2 | heat transfer print on copper sheet, includes aluminium pins | Editions, Multiples | 30 x 20cm | 2021 |
Le Feu scrupuleux | Clear moulded plastic and dvd | Editions, Multiples | ? | 2018 |
Ideologie & A Constructed World | numbered signed edition with special arse frontispiece | Editions, Multiples | 21 x 15 cm | 2018 |
Mussel microphone | cast aluminium - Editon of 5 + 2AP | Editions, Multiples | 155 cm x 35 cm ⏀ | 2017 |
Vespetro | bottle of liquor, label | Editions, Multiples | 750ml | 2014 |
Un Sort, Spell | screenprint on paper | Editions, Multiples | 65 x 50 cm | 2013 |
ACW blu ball | blu chromakey paint on corrugated cardboard | Editions, Multiples | 70 cm diam | 2013 |
Stay in groups / No need to be great | permanent marker pen, ink and masking tape on paper unlimited unique piece | Editions, Multiples | 65 x 50 cm each | 2012 |
Medicine, Show Speech and what archive | vinyl | Editions, Multiples | 31.5 x 31.5 cm | 2010 |
ACW / Hobbes Opera 2008, Stay in groups / No need to be great 2009, ACW /Hobbes Opera 2014, Seismic Semiosis./ Atlas of the unseen and unspoken 2015 plectrum / médiateur | coloured plastic | Editions, Multiples | 3 cm x 2.5 cm | 2008 |
Athéisme mat | woven mat, thermoplastic resin | Editions, Multiples | 150 x 236 cm | 2008 |
Costracted World Plate | melamine plate with felt tip pen, includes stand and certificate | Editions, Multiples | 21.5 cm diam, 18 cm x 26 cm | 2006 |
Artfan 1993 | Edition of 10 (only 3 sets remain worldwide) | Editions, Multiples | 29.7 x 21 cm each | 2002 |
Parler aux anguilles | Multiple performances and events at informal sites and insitutions, including a one year residency at Seine-Saint-Denis (93) through the Cneai Pantin for one year residency adjacent to the Canal Ourcq. Upcoming events at the Camargue in southern France and Commachoio Italy in 2023 | Partition | Installation: permanent and portable speaking device, underwater vitrine, underwater speakers and microphones, sound receptor, bronze eel and staff, objects, documentation, charts, plans, drawings, videos, sound work, photographs... | 2017 |
Assemblée des culs (Ass assembly) | 12 hour performance at Nuit Blanche at Conservatoire Nationale des Arts et Metiers, Paris and 4 approx one hour performances at Carriageworks, Sydney | Partition | Installation: 2 large format paintings 4mx15m, speaking devices, Shits in a ship, Philosophical sandwich, costumes posters, charts , drawings …. | 2017 |
The middle class and the anthropocene | Mutiple performances (with Speech and What Archive) repeated over 4 days in different sites and venues in the city of Bourges, concluding at the Théâtre Jacques Coeur | Partition | Installation: large scale paper room, blu cardbaord ball, nude costumes and flesh coloured underwear, tin can telphones, scripts, charts, drawings, videos... | 2015 |
A show about medicine and drugs | Performance at MO.CO La Panacée, le centre d’art contemporain de Montpellier with medical interns and pharmacology researchers. The event took in the former operating theatre dating from the time of Rabelais. | Partition | Installation: door with frame, costumes, bottkle of Vespetro, scripts, charts, videos, sound recordings, drawings... | 2014 |
Satisfaction without delay | Mutiple performances (with Speech and What Archive) repeated over 4 days in different sites and venues in the city of Bourges, concluding at the Théâtre Jacques Coeur | Partition | Installation: large scale paper room, blu cardbaord ball, nude costumes and flesh coloured underwear, tin can telphones, scripts, charts, drawings, videos... | 2013 |
Hobbes Opera | Performances over 13 years with more than 200 players | Partition | Installation: guitars, drumset, cables, songlists, plans, videos, instructions, vinyl... | 2008 |
Explaining contemporary art to live eels | Multiple performances and events including over 400 speakers at informal sites and insitutions including: Isola Art Centre, Milan, capc Bordeaux, ACCA, Melbourne, Villa Croce, Genova, Villa Arson, Nice, Cneai,Pantin and many more... | Partition | Installation and documentation: speaking devices, underwater speakers and microphones, artworks, bronze eel and staff, sculptures, objects, charts, plans, drawings, videos, sound work, photographs... | 2004 |
Faire (numéro 2) | Guilty pleasure (Plaisir coupable), an article written by ACW published in Faire (#2) in 2009 | Text | 467 KB | 2019 |
A Dangerous Critical Present | Like seagulls and many other species, eels endured a difficult co-existence with mankind. On top of having to change and readapt their living and nutritional habits on a regular basis due to pollution and urban expansion, their popularity in global cuisine put them in serious danger. Their number has significantly decreased over the past three decades, with Greenpeace’s Seafood Red List currently listing three out of four kinds of commercial eels as close to extinction. | Text | 121 KB | 2019 |
Using feelings to get rid of feelings part VII, group performance Bivy, Anchorage, Alaska 2020. Final ACW versions of both Using feelings to get rid of feelings and Hobbes Opera. | performance | Video | 15 minutes | 2020 |
Mostro Monsta Alaska | For Using feelings to get rid of feelings part VII in Anchorage, ACW brought a Monsta partition painting, that anticipated an encrustation video of a dancing monster made in Paris, that moved to various backgrounds in Alaska to be watched by a live audience at Bivy in 2020. | Video | 6 minutes | 2020 |
from Using feelings to get rid of feelings part VI | Performance in Palais de Tokyo | Video | 7 minutes | 2020 |
2045 | Performance at l'École des Beaux-Arts de Paris during COVID as part of an event curated by Maud Jacquin and Sebastien Pluot, with Esther Lowe, Myriam Debré Lowe, Clemence de Montgolfier, Clement Courgeon and Anne Le Troter. | Video | 5 minutes | 2020 |
Using feelings to get rid of feelings part II Marselleria | Part II, Milan | Video | 23 minutes | 2018 |
Parler aux anguilles | (Using feelings to get rid of feelings part I) with The Shaken, Cneai Pantin | Video | 3 minutes | 2018 |
Assemblée des culs Paris 2017 | Seen by more than 35,000 people at Nuit Blanche, musee des arts et métiers in Paris in 2017, was restaged through a detailed Partition as Arse Assembly at Carriageworks in Sydney in 2021 | Video | 17 minutes | 2017 |
Naked Life (This Shit Neoliberal) | Skype conversation from 2016 | Video | 7 minutes | 2016 |
The Middle Class and the Anthropocene | Performance, event, installation made at Salon Jackie on the occasion of COP21 conference at Le Bourget, winter 2015. Released on Instagram redeemed as a video work. 20 performers + 20 people in audience. | Video | 15 minutes | 2015 |
Pizza delivery during ACW Medicine Show | Les Laboratoires d'Aubervilliers restaged just seven days later, with different performers, at Artspace Sydney generated similar arbitrary and unplanned outcomes. | Video | 1 minute | 2013 |
Kill the speech | Avant Spectacle ;A Micro Medicine Show, Ferme du Buisson 2011. Avec Michele Robecchi et Speech and What Archive. | Video | 3 minutes | 2011 |
Ecstatic Torino | Dance video from 2003 | Video | 3 minutes | 2003 |
scenes from the Whipstick forest… | first ACW video from multiple locations 1995-8 | Video | 37 minutes | 1998 |